Interview with Mahesh Bhatt Pti | Mahesh Bhatt said – Guru Dutt’s inheritance is not a style, which you can copy
The filmmaker Mahesh Bhatt said about the director of the late Guru had to that his heritage is not prices and he transformed the agony of life into a poem which also torn silence. Guru Dutt, who was counted among the great filmmakers of Indian cinema, made classic films like “Pyaasa”, “Paper Ke Phool” and “Sahib Bibi Aur Ghulam”. July 9 is his 100th anniversary of birth. He died in 1964 at the age of 39. We think he died due to sleeping pills and drink alcohol.
Mahesh Bhatt told “Pti-Bhasha”, “he converted the agony of life to poetry, such a poem which also torn the silence. Those who came after them, they took the injury. We are not celebrating the completion of 100 years from Guru Dutt. hypnotized.
The filmmaker said: “Guru Dutt’s heritage is not made up of awards, posters or coils. It is made up of silence. When the silence that enters the room and the screen is black (when the image is finished), it stops there. It was our` `Vyas ” (Sage who wrote Mahabharata).” He said, “Guru Dutt gave a poetic form to his personal angle. Contradiction.
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He touched the hearts of women. It allowed beauty to embark on the truth. This immortal song of “Paper Ke Phool” is “Tau Ke Kiya”, is a battered injury. Their inheritance is not a style that can be copied. It is an injury that must simply bear. Bhatt said that when he worked on his 1982 “Earth” film, Kavi-Geetor Kaifi Azmi commented that he had found the pain of Guru Dutt as a disciple of Khosla.
He said: “We were working on a song by” Earth “. Jagjit Singh was doing the initial song of ‘Tum in the Olympic Games’. Kaifi Saheb was sitting silently, he was not only listening to me with the soft voice, but also feeling the wounds hidden behind him.
He said: “I was an assistant to Raj Khosla and Raj Khosla was assistant to Guru Dutt. It was this rekha, not renown, but pain. For example, injuries are given as a sacred heritage of generation.
Bhatt said: “Guru Dutt cannot be repeated. There are filmmakers who show the same hunger to show the truth, like Sanjay Leela Bhansali, who has a passion for showing poetic scenarios. Vishal Bhardwaj, who leaves the darkness to explore pain and poetry. Keeps invisible aspects.
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He said: “These filmmakers can walk on different paths, but as Guru Dutt, they understand that when the cinema dared to feel deeply, it becomes a dynamic poem and perhaps it is the flame that still burns today.
