Janhvi Kapoor’s Anamika Khanna sari-gown is adorned with Art Nouveau-style floral motifs

Janvi Kapoor has traveled across the country to promote Paramot Sundari. For her latest judgment, she turned to Anamika Khanna, choosing a dress from Sa-Sa-Sa-Said which merged the ease of a dress with the language of Indian sewing.

Stylish by friend Patel, the silhouette carried the familiarity of six meters while avoiding the complications of the drapage. A shoulder neckline gave the look its modern line, while the folds sewn in the hem spoke of the fall of a traditional sari. A Pallu type panel swept the bust and on an arm, introducing the movement and recalling the classic drapage codes. These are the floral patterns that breathe life into the canvas in a mute. Sweet and scattered flowers with leafy vines observe the Art Nouveau era, where plants have often been translated into fluid organic models with a sense of movement.

Kapoor kept his discreet accessory look by jumping a necklace and choosing chandbaali earrings impactful by Kalajee jewelers, encrusted with purple pearls and Polki stones, while the delicate Kaan Phool framed his face. She completed the look with Polki Kadas handcrafted by Raniwala 1881 and a ring with Jagdish jewelers, letting each piece shine without doing too much. For glamor, Kapoor has kept his signing eyes signed twin with naked lips. Unexpected pop has come from its nails: a varnish with a chat eye in turaille that should not work but it is. What raised her beauty look is her hairstyle. She went with a half half -down style decorated with fresh purple flowers.

From sari to style, the look of Janhvi Kapoor is used wear and tear in his practice and the most beautiful. Its versatility extends far beyond formal events. You can make it work beautifully to a diurnal brunch at a wedding with a destination as effortlessly as possible for a Diwali card party.